2020년 국립현대미술관에서 열린 기획전 «미술관에 書: 한국 근현대 서예전»이 타오위엔시립미술관 형산서법예술관의 초청으로 대만에서 개최되었습니다. 이번 전시에서는 故이정지 화백의 ®-1997-3 (116.8 x 80.3 cm,Oil on Canvas,1997) 작품을 선보였습니다. <○>, <共生>, <동그라미>, 그리고 작가가 프랑스어 벽(mur)과 길(rue)을 합성해서 만든 <MUⓇUE> 역시 통합과 소통을 함의합니다. 이정지 화백이 궁극적으로 작업을 통해 구현하고자 하는 것은 치우침이 없는 통합과 조화의 세계입니다. 단순히 서와 화를 재결합시키는 것을 넘어, 배경의 어두운색과 글씨의 밝은색, 밑 작업의 불규칙한 붓 터치와 질서정연한 선, 정신과 육체 등 이분법적으로 여기거나 대조적으로 바라보는 요소들이 조형적으로 통합되어 있습니다.
The exhibition «The Art of Calligraphy: Modern and Contemporary Korean Calligraphy», originally held at the National Museum of Modern and Contemporary Art, Korea in 2020, is now being hosted at the Hsing Shan Calligraphy Art Museum in Taoyuan City, Taiwan, by invitation. This exhibition features the work ®-1997-3 (116.8 x 80.3 cm, Oil on Canvas, 1997) by the late artist Lee Chung Ji. The works <○>, <共生>, <Circle>, and <MUⓇUE>, a term coined by the artist combining the French words for ”wall“ (mur) and ”street“ (rue), all symbolize themes of integration and communication. Through his work, Lee Chung Ji sought to create a world of balance and harmony without bias. Beyond simply reuniting calligraphy and painting, his works show a formal integration of elements often considered dichotomous or contrasting, such as the dark background and light-colored writing, irregular brushstrokes and orderly lines, and the mind and body.
미술관에 「書」: 한국 근현대 서예
대만 타오위엔시립미술관 형산서법예술관
臺灣 桃園市立美術館 橫山書法藝術館
July 6 - October 21, 2024
The exhibition «The Art of Calligraphy: Modern and Contemporary Korean Calligraphy», originally held at the National Museum of Modern and Contemporary Art, Korea in 2020, is now being hosted at the Hsing Shan Calligraphy Art Museum in Taoyuan City, Taiwan, by invitation. This exhibition features the work ®-1997-3 (116.8 x 80.3 cm, Oil on Canvas, 1997) by the late artist Lee Chung Ji. The works <○>, <共生>, <Circle>, and <MUⓇUE>, a term coined by the artist combining the French words for ”wall“ (mur) and ”street“ (rue), all symbolize themes of integration and communication. Through his work, Lee Chung Ji sought to create a world of balance and harmony without bias. Beyond simply reuniting calligraphy and painting, his works show a formal integration of elements often considered dichotomous or contrasting, such as the dark background and light-colored writing, irregular brushstrokes and orderly lines, and the mind and body.
미술관에 「書」: 한국 근현대 서예
대만 타오위엔시립미술관 형산서법예술관
臺灣 桃園市立美術館 橫山書法藝術館
July 6 - October 21, 2024
November 13, 2024
